BBC Wildlife Magazine (October 2015) has just published my gull feature, which I've been working on for the past couple of years. It follows a summer of hysteria in the British media about gulls attacking people and their pets and hopefully provides a refreshingly accurate take on the situation which looks at the latest research and science and interviews experts in the field - many of which I've had the privilege to work with during the project. We published the feature early due to the media frenzy this summer, so I'm still working on the project, but these are some of my favourite pictures that either made the feature or will hopefully be published when the project is complete.
I'm just back from speaking at the Scottish Nature Photography Festival about telling stories with wildlife photography. I shared some new work, including some images from my upcoming gull feature in BBC Wildlife Magazine, a few images from a gannet story I am currently working on and a few one-off images, like this red fox vixen suckling cubs that are just a week out of the den I photographed earlier in the summer. I've never seen an up close wide shot of this behaviour before and I was pretty privileged to witness such a tender and vulnerable moment. I shot this using a Pocket Wizard remote and hid my Nikon D750 inside a Peli Case to muffle the sound. I filled in the shadows with two low-powered speedlites, but the main key light is from the sun and I only shot 1 frame to minimise disturbance.
I'm just back from Amsterdam shooting a new project on city herons. With all of the canals and waterways, grey herons really thrive over there, but I managed to find an area where they are part of the night-life too. Look out for the full series, which I'll be publishing soon.
I've been working locally in Bristol recently on a new fox project, to get some new images together for my upcoming talk at Wildscreen Photography Festival. The beauty of working locally is that it means I can visit a site regularly and be a bit more creative with my lighting and set up. I've been working with a local family of foxes that are all really individual characters, but my favourite to photograph by far is this little guy who is just so inquisitive and cheeky. I've tried to capture some of his personality in my pictures. You can see the full set here: www.samhobson.co.uk/urban-red-fox
Both shot on Nikon D800, Nikon 17-35mm f2.8, SB-800, SB-700, Pocket Wizard +IIIs
Just back from Norway on an epic mission to find and photograph the musk oxen in Dovrefjell. I'll just share a few pictures for now as I'll need to make some time to make a proper edit and write a more detailed trip report. Had a great week and learnt a lot about the musk ox and got some story ideas about arctic foxes too. The foxes pictured below are part of a reintroduction programme.. But more on that later hopefully :)
After discovering the urban deer site I mentioned in my last post, I couldn't wait to get back and spend a bit more time photographing them. After previously visiting on 3 different nights and only having any luck once, I knew I'd need a few days to get anything decent, so I bit the bullet and decided to book into a nearby hotel to maximise my opportunities. I'd already learnt a bit about the particular spots the deer liked to feed and the routes they used to venture out of the woods and into the urban surrounds, so starting off, I was in a good place to get in position as soon as they appeared..
Peering out from the edge of a copse, they'd wait for things to quieten down - usually around 2 o'clock before making a break from cover and dashing into the city.
By around 3 o'clock they'd find a quiet spot with a nice bit of grass to feed on and start to settle down. Gradually the bolder ones would venture into the busier streets, only dashing into the shadows when a car or bus went by.
The larger herds stuck to the playing fields, where they were less likely to be disturbed.
On my first attempts, my pictures looked a little grainy, so I decided to use a lower ISO this time and took things down to to around 400-640. This got rid of the noise, but meant that I needed shutter speeds of between 0.5 and 3 seconds at f2.8, but I had a tripod and a bean-bag so I was good to go. Deer are the perfect subject for slow shutter-speeds - often between feeds, raising their heads and staying stock-still to watch and listen for danger.
The trick is definitely to get in front of them, get your shot ready and wait for them to walk into frame. Chasing them around just doesn't work. They are always on high alert and remain skittish, so you need to be quietly patient and just hope that it all comes into place.. Like when a full-grown buck walks out into the street, in front of a bus stop!
By around 5 in the morning, the deer start thinking about heading home after their night out, back into the woods before the city's residents start to stir. It's crazy to think that a lot of people sat at the bus stops on the way to work will never realise that wild deer may have been feeding around their feet just a few hours before.
By the end of 3 long nights, I was ready to go home myself. I'll definitely return before the Spring, when the deer have less need to come out of the woods to feed. It's quite a difficult project and can be frustrating - particularly when they are giving you the run-around and you don't take a single picture all night, but the excitement when things fall into place and the photographic rewards definitely make it worth the lack of sleep :)
You can view these images at a higher resolution on my portfolio site.
P.S. Re. the title - they are fallow deer, so they're 'bucks' and not actually 'stags' but nothing wrong with a little grammatical inaccuracy for the sake of a bit of cheese!